Archive for October 2012

Political Performances of Latinidad (Latinness): Ending Hispanic Heritage Month w/Rosie Perez & Stephen Colbert


Esteban Colberto Reporto Gigante (a faux Sábado Gigante by no-holds-barred Stephen Colbert)

October 15 ends the weird not-really-a-month, but-definitely-30-days-long "Hispanic Heritage Month" in the U.S. As the Latino/Hispanic (although that latter term is a weird one because it implies Spanish-speaking and the majority of "hispanics" in the U.S. don't actually speak Spanish) population continues to grow in size, careers are being made in the attempt to figure out which way this group will vote.

The first thing to say is that that very question is inaccurate. There are significant ideological and historical differences within the community that calls itself Latino and so it makes much more sense to be more precise before making prophecies.

Nevertheless, Latino identity has been much more politicized this election (the presence of Zoraida Fonalledas at the RNC and Julián Castro at the DNC are one highlight--the former was received with such a lack of "respect" that the delegates were chastised from the podium; the latter has been accused of "not really speaking Spanish"). I find it interesting that two of the prime examples that stood out from the last few weeks have been humorous, intentional hyper-exaggerations of "latinidad" (latinness) that play on media images of the loud, the opinionated, the gyrating. (I've written before on the importance of playfulness in Latin art.)



"Easier as a Latino?" Rosie Perez responds to Mitt Romney's joke about wishing he were Mexican

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Chicago Tribune spellcheck fail: "Kamily debt drops to pre-recession levels"

Screengrab of Chicago Tribune's new word: Kamily

Right there, on the homepage of today's Chicago Tribune. Let's see how long it takes before they realize/fix this error.

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Weelkes madrigal and Novak's illustration of "Thule, the period of cosmography."

John Novak's illustration of Thule, the period of cosmography at the Paris Review

Things that go well together:

A 16th century English composer puts to tune a poem about wonder and the edge of the world.

A 21st century illustrator sketches visions of volcanic eruptions and traveling merchants from Spain who've encountered wonder at the edge of their known world.




The Poem:

Thule, the period of cosmography,
Doth vaunt of Hecla, whose sulphureous fire
Doth melt the frozen clime and thaw the sky;
Trinacrian Etna's flames ascend not higher:
These things seem wondrous, yet more wondrous I,
Whose heart with fear doth freeze, with love doth fry.

The Andalusian merchant, that returns
Laden with cochineal and china dishes,
Reports in Spain how strangely Fogo burns
Amidst an ocean full of flying fishes:
These things seem wondrous, yet more wondrous I,
Whose heart with fear doth freeze, with love doth fry. 

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