Showing posts with label Mexico. Show all posts

A Dominican Quest in Chicago: A guide to viandas

My Search for Viandas (A guide to what they are!)

Germania, my lovely grandmother, came to the States from the Dominican Republic in the '60s. She was an amazing cook and from her I learned how to make the Sancocho, a traditional Dominican stew featuring an assortment of viandas and meats. The thing about a Sancocho is that it's a dish meant to be shared with the family plus the neighbors plus the kid from down the block who always hangs out with the neighbor's son plus whoever else happens to be walking by. There's no such thing as a "four portion" Sancocho. Which is why I've decided to make one for some of my students.

Success?
Chicago is a mecca for tremendous Mexican cuisine (see New Rebozo—quite possibly the best Mexican food I've had outside of Mexico and certainly worlds better than anything one can find in New York—the chef/owner features 18 kinds of mole) but when it comes to the Spanish Caribbean, not so much. The real trick is the viandas, the starchy vegetables that form the base of the stew. And after six months of looking for these in various supermarkets, desperation has set in.

So, given the sad dearth of Dominican and Cuban ingredients in ordinary grocery stores, I set out on a quest (based on the recommendation of a Puerto Rican employee at Whole Foods) to find the famed Armitage Produce on the westside of Chicago…

Success! Behold, a surfeit of malanga!

Malanga

Ñame (the true yam)


As you can see, people have split the ñame in half—in this case, the employees themselves. This is to verify that the root is good (people also do that with the malanga and yuca). One elderly gentleman, who grumbled about the mediocre size of the batata we combed through, warned me against trusting the quality of the root from the outside.

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Embracing the Alien: Sci-Fi & Fantasy in Mexican Art


Pedro Meyer: detail from Batman and the Religious Procession (1991). A religious parade in Oaxaca
Something quite surprising lurks amid the sculpture and visual art showcased by the National Museum of Mexican Art in Chicago: the repeated incorporation of science fiction and fantasy themes. The museum has a rich collection, worth returning to several times, but on my first visit this weekend I was struck by the willingness of Mexican and Mexican-American artists to use sci-fi and fantasy motifs in serious pieces. And yet, there was something unflinchingly playful about how these were wielded.

Laura Molina: Amor Alien/Amor extraterrestre (2004). An unmistakable reinterpretation of “The Legend of the Volcanoes” of Mexican myth.
 
Why is there this ease with a cosmic vocabulary or fantastic backdrop when interpreting or reinterpreting daily life? As you can see from the pictures below (taken on an old smart-phone, sorry), the use of sci-fi and fantasy is quite self-conscious--but without being cynically ironic in a hipster way or overly precious and kitsch. I love the mixture of play, earnestness, and satire.

I have two theories.



Ignacio Montano: details from Assembling Energy Panels from the London Complex at Preference, Mars/Montando paneles solares del complejo de Londres de preferencia, Marte (1990). Floating astronauts with oxygen-packs at the Mars base—Just to be clear, this hasn’t happened, yet.
The Cosmic Race (la raza cósmica)

Deeply embedded in national imagery in Mexico is the concept of the "Cosmic Race." This is the idea, famously stated by Mexican statesman and philosopher José Vasconcelos in 1925, that the mix of European, Native American, and African races and cultures in Mexico would be the way of the future. He called this mixture la raza cósmica.

Now, I'm not claiming that the artists below ascribe to any of that. MY POINT IS THAT THE USE OF THE OTHERWORLDLY IS MAINSTREAM. This is not (merely) the domain of nerds and geeks.

Alfredo Arreguin: Ballads from My Land/Corridos de mi tierra (2004). Emiliano Zapata and the Virgin de Guadalupe, as well as other iconic figures of Mexican history and legend fill the night sky.
Reverse Gravity

Or, put more simply, satire. There’s something of satire in these appropriations of images originally created in the U.S. By treating Batman and Mars and the infamous sexy Green Ladies from Star Trek as supremely serious (when all involved are aware that there’s something playful about them), a critical inversion takes place. The somberness, the gravity of these incorporations veers towards the ridiculous, the way someone donning a top hat and tails (in a non-ironic way) to purchase stamps at a post office would strike us as entirely ridiculous. (Or the way this scene in Tombstone is the best ever.) And perhaps that’s the point.

Maybe by treating sci-fi and fantasy imagery as real, these artists (and I’m counting the young boy carrying the Batman saint as an artist) are, through gentle (and admiring) ridicule, taking the self-important cultural production of the U.S. down a notch. This is especially poignant given how the highly-problematic term “alien” is used by some people to describe things (and people) Mexican.

Pedro Meyer: Batman and the Religious Procession (1991)

Ignacio Montano: Assembling Energy Panels from the London Complex at Preference, Mars/Montando paneles solares del complejo de Londres de preferencia, Marte (1990).



 

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Slim saves the Gray Lady. Wait. Who is he again?

Zapatistas eating at Sanborns in Mexico, DF.

Carlos Slim, the Mexican magnate, has propped up the New York Times with a loan of $250 million that can/will be exchanged for actions in the company. I think we've gotten a little numbed by all the billions that are being tossed about in bailouts and scams and so the price tag of that little loan (which Mr. Slim can easily afford) seems ... meh.

Speaking of which, have you heard about DMG ("Diós Mío Gracias")? That's a pyramid scheme in Colombia that has fallen apart in the past few months. Unlike Madoff and the other new Madoff-alike in Florida, these cats scammed the poor. And, of course, there are many who are stubbornly unwilling to believe that they've been had and instead think the founder, David Murcia Guzman, is now incarcerated wrongly. Here's a tragic example:

Por : david te amamos y creemos en ti 2008-12-28 01:50:58
dios mio gracias por poner en mi camino a un ser tan extraordinario como david murcia guzman dios mio gracias por mostrarme que en colombia no todo es corrupcion y maldad dios mio gracias por presentarme al ser mas humano,bueno y generoso te amo dios por esta oportunidad que me das de ver un ser limpio como david dios mio gracias por ese privilegio que me das de pertenecer a la familia dmg


But, back to Mr. Slim. Here's a little of what Grupo Carso (named by Mr. Slim as an amalgamation of his and his wife's first names, "Carlos" and "Soumaya") owns:

Telmex: the Mexican telecommunications giant that has stretched from the United States to Argentina.

America Movil: they do cellphones in nearly all of the hemisphere (including Paraguay!).

Grupo Financiero Inbursa: a financial services group that does banking and all kinds of financial products.

Swecomex: manufactures petroleum processing equipment, including drilling platforms.

Cigatam: a cigarette manufacturing partnership with Philip Morris.

IDEAL (Impulsora del Desarrollo y Empleo de América Latina): which focuses on infrastructure projects, building things like highways and hydropower dams.

Grupo Sanborn: including the department store chain Sanborns as well as Sears. Even Zapata's troops used to meet up at Sanborns as a rendezvous point!

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Torture Instruction & Lethal Stampedes: The Negative Public Image of Mexico's Police

(a still from the video)

Already embattled in a fury of public outcry because of the lethal stampede in a bar where high school students celebrating their graduation were killed as police raided a nightclub (parents around the city have mobilized decrying the police action), Mexico's police are sure to face even more after the release of torture videos yesterday.




A regional Mexican paper broke the news, showing several videos of members of an elite tactical group experiencing torture at the hands of other officers, as part of training intended to prepare them should they fall into the hands of organized crime groups that kidnap and torture. But given the reputation of corruption and violence within the police force, the videos have caused outrage among Mexicans who see this as instructing police how to torture.

"This group has to be prepared for extreme situations. This isn't a game of child's play. Now, this isn't about applying torture; it's so that they can resist it," explained Vicente Guerrero, a PAN leader. But this milquetoast excuse has done nothing to de-escalate the situation, which has led to broader investigations into the history of torture in the country.

And the instructive presence of the unnamed American trainer in the second video will do nothing to assuage concerns that US contractors are equipping Latin American military forces to terrorize their own people. See also Lesley Gill's The School of the Americas.

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