Showing posts with label Music. Show all posts

Weelkes madrigal and Novak's illustration of "Thule, the period of cosmography."

John Novak's illustration of Thule, the period of cosmography at the Paris Review

Things that go well together:

A 16th century English composer puts to tune a poem about wonder and the edge of the world.

A 21st century illustrator sketches visions of volcanic eruptions and traveling merchants from Spain who've encountered wonder at the edge of their known world.




The Poem:

Thule, the period of cosmography,
Doth vaunt of Hecla, whose sulphureous fire
Doth melt the frozen clime and thaw the sky;
Trinacrian Etna's flames ascend not higher:
These things seem wondrous, yet more wondrous I,
Whose heart with fear doth freeze, with love doth fry.

The Andalusian merchant, that returns
Laden with cochineal and china dishes,
Reports in Spain how strangely Fogo burns
Amidst an ocean full of flying fishes:
These things seem wondrous, yet more wondrous I,
Whose heart with fear doth freeze, with love doth fry. 

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Malika Zarra at Between the Seas--Liquid Roads and Flowing Melodies

Moroccan artist Malika Zarra and her band that's as worldly as she performed at the New York festival "Between the Seas" on Friday. She sang in at least four languages--Berber, Arabic, French, and English--songs that ranged from traditional Berber ballades to poetry she herself wrote. And they took the time to introduce the audience to musical styles associated with various Sufi "brotherhoods" in Morocco. This video does not do the evening justice; it's just to tempt you to go to her website (above).



Between the Seas is a new "Mediterranean world" art festival in New York City. It was begun by Aktina Stathaki, Ph.D. (a Greek dancer) with the sensibility that the Mediterranean Sea is itself a region of shared cultural resonances. So, instead of thinking "North Africa" or "Southern Europe" or "the Levant," the festival hearkens back to the conception of water and not landmasses as being the defining cultural or regional (or political) unit. Though now we think of social units in terms of land ("Europe," "North America"), for most of recorded history, people thought in terms of the rivers and seas that linked them. And so we had the Nile, the Mediterranean, the Atlantic. It's cool to see art and cultural expression once more being interpreted in this older vein.

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"Songs About Books" by Carey Wallace... a cd that celebrates literature

CAREY WALLACE | songs about books from Zeke Anders on Vimeo.

As part of a celebration of the launch of the paperback edition of The Blind Contessa's New Machine.

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What to listen to: Gioel Martín & amigos playing Palo Bonito

Gioel Martín & amigos - Palo Bonito from ACvideo on Vimeo.

Guitar, percussion, and spontaneity in the Dominican Republic.

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Tango Contempo: your thursday night plans in Buenos Aires


Tango Contempo is a series of intimate performances begun by a group of tangueros (tango musicians) who were looking for a way to play classic pieces and their own compositions in a setting that's not as commercial or kitschy as the overblown showpieces found in tango shows. The result: small concerts every Thursday night at 9:30pm at Buenos Aires cafe venues.

Last night's show was at Café Vinilo on Gorriti (but check the "agenda" on the website to confirm details) and featured two sets: the first included piano, bass, bandoneón, and vibraphone performing original compositions. The second was [2004 Grammy nominee] Pablo Maimetti and Cesar Angeleri on bandoneón and guitar. Both were world class and lovely.


My favorite thing from the evening was the way Pablo (the bandoneón player) would use his body for percussion-- not only would he tap his feet or shake the body of the bandoneón, but in dramatic moments, he'd slide his right foot with a stamp and a long slip to the right.

UPDATE: Just to give a sense of the quality of the musicians we heard for 25pesos, here's one quotation about Pablo Mainetti:

"the most talented composer of Argentina's new Tango generation"

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Uroš Dojčinović, Serbian classical guitarist, performs in Paraguay.

Uroš Dojčinović is the first Serbian guitarist to ever perform in Paraguay. Last night, his concert of compositions and folk melody arrangements from around the world was to a packed audience at the Centro Cultural de España Juan de Salazar. The program included pieces by Agustín Barrios Mangoré (the Paraguayan composer/guitarist whose work Dojčinović recorded for the first time in Serbia), Villa Lobos, Tárrega, Cottin, Lebedew, Dojčinović himself, as well as works from Malta, Egypt, China.

It was amazing how one instrument, tuned a bit differently for different pieces, could effectively capture such different musical styles. (Yes, I used the word "different" three times in that sentence. Oh, well.) Also cool were variations on strumming, sliding, plucking, playing with the left hand on the neck, tapping and knocking on the wood.

The video I've taken is of three pieces: the first by Mangoré, the latter two by Dojčinović.


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Gorki Freed.

After being charged 600 pesos (about $30), Gorki has been set free.

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Art is Political: Punk Rocker Gorki Arrested in Cuba

an image of Gorki from their official site

Gorki Luis Aguila Carrasco, lead singer of Porno Para Ricardo (official site here), has been arrested while at his house. The popular punk band is open about its critique of the state. Apparently the police didn't even have a warrant. His father and fellow band members are concerned-- not just for lack of due process, but because Gorki has some health problems (inflamed lungs and difficulty breathing).

More news.

Also, check out their video.

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Interlude: Art, Archaeology, and Beauty


In the midst of a fascinating political moment, Paraguay is much more than its political process. It could be a matter of coincidence or a moment of confluence that a flurry of artistic production and concern for the creative patrimony of Paraguay arises as the country experiments with hope and determined democratic participation. But the truth is that what has always impressed me about this country is how much making art is part of daily life. There are guitar shops everywhere. The graffiti is deliberate both in its design and message. Music, literature, and poetry skillfully blend Spanish and Guaraní. Ñandutí, the spider's web-like crocheting is a heralded skill.

Last night's re-opening of the Theater "Federico García Lorca" was the first of its kind I've ever seen in Paraguay: street performance of dancers, poets, musicians, installations as the crowd of hundreds was led by a piper into a colonial building to be greeted by acrobatic dancing in hammocks, flamenco, and then a performance entitled "Mundo sin mal"-- an interpretation of edenic origin stories common to indigenous Paraguayan mythology.

A glimpse of the evening, including flamenco:


The Paí Tavytera are an indigenous Guaraní-speaking group in Paraguay who invited a team of archaeologists led by Dr. José Antonio Lasheras to excavate near an outcropping on their territory. The Spanish archaeologists did, under the watchful gaze of the community, and presented their findings at the Centro Cultural de España Juan de Salazar on Wednesday. Unlike "treasure hunters," who Dr. Lasheras excoriated, the team of scientists returned everything they found to Paraguay after taking molds and photographs.

Here are stone tools found in the excavation:


Other images of the evening:

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El Salvador Musical-- the Journal of Salvadoran and Latin American Music

Welcome to El Salvador Musical, the online home of Revista de Música Salvadoreña y Latinamericana.

from their website:

Dedicated to the musical activity of El Salvador and Latin America. Its author is Salvadoran-American composer Carlos Colón-Quintana. Various collaborators also will participate in this virtual forum. Our principal emphasis is on música de arte [which I'm guessing is something closer to concert pieces/classical music]. However, we also will discuss folkloric music and important popular groups. Nevertheless, the focus will be from a cultural and serious point of view.

I thought Años (con texto de Nora Méndez) was particularly interesting. You can listen to a few of Carlos' pieces on the site.

Años (con texto de Nora Méndez)

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